- #CLAPHAM JUNCTION 2007 VIETSUB FULL GAY MOVIES MOVIE#
- #CLAPHAM JUNCTION 2007 VIETSUB FULL GAY MOVIES WINDOWS#
can you imagine young American actors now being so explicit? (Heath and Jake were never that intimate together in BBM), would today's youngsters like Zac or Taylor rise to the challenege, of course their managers and agents would not let them. It must have been brave for young actors like Wilby and Graves to have played gay so well back then. Very funny, r93! I will have to watch Maurice again now. It was a (an overused word in the case of acting and film) very courageous film in its time. Merchant/Ivory will always have a profound place in my heart because of that movie.
#CLAPHAM JUNCTION 2007 VIETSUB FULL GAY MOVIES MOVIE#
I saw this movie my freshman year in college at the school library while I was still in the closet and it caused me to come out, leave my school and move across country to another school to find my current husband of fifteen years, utterly changing my life. Anne leans on his shoulder looking wistfully out the window with hope as Clive grimaces at her touch, the music crescendos to an unresolved chord (fantastic Robbins score, by the way) with Clive's faced touched by an unrelenting and unresolved eternal sadness - fade to black.
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#CLAPHAM JUNCTION 2007 VIETSUB FULL GAY MOVIES WINDOWS#
I was just trying out a speech."ĪND, as he is closing the house up, dismisses Wilcox, latching the shutters against the windows he makes it to the final window but can't close it as he sees an image of Maurice urging him on from his youthful Oxford days.
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Anne: "Who were you talking to?" Clive: "No one. This is art.One of the most heartbreaking final scenes in a movie ever. It was like watching a very intense dance number, with the pacing and movement timed just right to impart the perfect punch. The two actors were incredibly focused, present and controlled. Rarely do we get to glimpse a depiction of the inner workings of human desire, longing,loss, repression, redemption, salvation, inner struggle, despair, loneliness, joy and fear crammed into one spectacular moment. I do not say this lightly, see for yourself.
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I was so moved by those scenes that it took my breath away and left me stunned and fulfilled. Even though their interaction is between two gay characters and two characters far apart in age it transcends those particulars to capture emotional human truths and longings relevant and recognizable to everyone. Those scenes are well worth the price of admission. While I do agree with many of the comments and criticisms of fellow reviewers on this site that there is much cliché,a narrow, outdated and perplexing depiction of the gay experience today, and some offensiveness.I have to say that the interaction of the 14 year old boy with an older man is one of the most powerful, intense, moving and poetic moments I have seen on film in a very long time. Alfie dies in hospital as another young boy Danny, a talented violinist, has his instrument smashed by homophobic tormentors. Consequently Tim refuses to acknowledge any more of the boy's advances. Theo's parents leave the dinner party early and although they do not catch him having sex with Tim Theo's mother Natasha is suspicious and warns Tim off. Terry himself is also beaten up and treated in hospital by Gavin, who is displeased to find he has Will's ring though Will claims he had sent it to the jeweller. The dinner party guests, who also number Theo's parents, see the ambulance draw up for Alfie but Julian refuses to tell the police what he saw, to Robin's dismay. Terry finds the severely injured waiter but rather than help him steals Will's ring. To Robin's surprise Julian also turns up, having hidden in a cubicle whilst Alfie was pursued and attacked by gay bashers. Robin goes cruising in a toilet meeting the closeted Julian, before going on to a dinner party with married friends. Terry picks a man up at a gay club, inexplicably giving him a savage beating-up. Terry, who lives with his grandmother, prepares for a night out whilst professionals Gavin and Will celebrate a civil partnership though faithless Will flirts with young waiter Alfie, giving him his ring. Robin, a gay writer, has his script declined by a television executive whilst school-boy Theo stalks his neighbour Tim, on whom he spies through the window.